On Guillermo del Toro’s gruesome horror series The Strain, vampires are the new bioterrorists
The vampires on the new series The Strain
A panel from The Strain’s graphic novel edition (Illustration courtesy of Dark Horse Comics)
are a novel breed. When they’re changed, their hair falls out. Their skin turns a vomitous shade of greenish-grey. Their veins fill with white slime. Instead of growing retractable fangs, they get a stinger—a huge, Alien
-esque proboscis that shoots sticky, worm-infested bile into all mortals in its path, draining the victims’ blood and infecting them with a virus that mutates their genes. The show’s radical revision of vampire mythology (and physiology) subverts everything we’ve come to know and love about the pop culture anti-heroes. These vamps aren’t brooding, studly teens. They don’t leap through trees. They’re not lustful deflowerers of virgins. Where Twilight
describes its vampires as “devastatingly, inhumanly beautiful,” The Strain
turns them into indistinguishable drones. Instead of glamouring humans, they’re terrorizing us.
The ghastly creatures—recently seen prowling through Toronto’s downtown core while the show shot its first season here last spring—are the latest in a string of new monsters invading the small screen. Most of these horror series tap into archetypes that have fuelled the genre for eons: the savage cannibal in Hannibal, the Victorian demons in Penny Dreadful, the serial killer in Bates Motel, the asylum patients and witches in American Horror Story.
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