Rob Ford’s mayoralty may soon be over, but an American cable channel has just ensured that he’ll always be in our discount DVD bins, selling at two-for-$5 with copies of Dinocroc vs. Supergator. SyFy, a U.S. sci-fi channel, has given Ford (or at any rate, an actor dressed sort of like him) a death scene in the upcoming “film” Sharknado 2, finally linking the mayor with a pop-cultural force that has overstayed its welcome at least as much as he has. The Post reports that the scene will be included only in the Canadian version of the film, airing on Space on July 30. But why watch the whole thing? The Ford clip is embedded above.
There are a few celebrities who have permanent homes in Toronto, but how many times can you spot Claire Danes walking down the street with her stroller before the novelty is gone? Fortunately, the local film industry is constantly bringing itinerant superstars to our city, where they take advantage of our studios, streets and tax credits to shoot their fighting-robot movies and romantic comedies. Here, a guide to this summer’s crop of visiting celebrities, the films they’re shooting and where you need to go if you want to score an autograph.
Name: Peter Dinklage
Movie: Pixels, Adam Sandler’s new comedy about 1980s video game characters that come to life and attack New York.
Where: The movie is filming all around the financial district.
When: July to the beginning of September.
Best bet for an autograph: Dinklage has been spotted throughout Yorkville, particularly outside of Bacio Restaurant and near Whole Foods.
What not to say: It’s probably a good idea to avoid height-related quips. Other no-nos: gushing like a crazed fangirl over Lord Tyrion.
Friendliness rating: 8. Everyone’s favourite Game of Thrones actor usually stops for a selfie or two with fans when he passes through LAX.
Having decided not to retire from public life after all, Alec Baldwin is reportedly developing a new role that will allow him to get a little more mileage out of the gleefully sociopathic persona he honed on 30 Rock: Rob Ford. Or at any rate, a character very much like Rob Ford. According to Deadline Hollywood, Baldwin is working with NBC Productions on a pilot for a one-hour cable series in which he would play “a Rob Ford-type Mayor of New York City.” This could be Ford’s big chance to break out of live theatre.
We don’t choose to be gay, but we certainly choose where we’ll be from June 20 to 29, when the international WorldPride 2014 extravaganza descends on the streets of Toronto. While some will opt for intimate backyard soirees with friends, others will hit the outdoor beer gardens, art shows, theatrical offerings and drag revues in festive (and sometimes fetish) regalia. Still others will flee to Huntsville cottage country, eschewing Pride flags and statement jewellery for Muskoka chairs and cold-certified, salt-of-the-Earth brew-haha.
For those who choose to stay in town, the two million expected visitors, inevitable line-ups and hundreds of events—up to and including June 29th’s parade—can make the idea of showing pride seem a little daunting. Here are five best bets that will get anyone off his or her (or, xyr?) rocker and into the gauntlet of gay.
Theatrical productions about Rob Ford have become so commonplace that the Globe and Mail’s theatre critic has taken to discouraging people from making them. The epidemic has spanned several genres, from opera, to comedy to low-budget indie. Now, a local group is in the early stages of casting a Rob Ford musical, which the playwright, Ben McCaig, told the Canadian Press will riff on the mayor’s similarities to Shakespeare’s Falstaff. (In yet another indication of how crazy the Ford-on-stage trend is getting, the video above is actually a promo for another, completely separate Rob Ford musical.)
Clearly, this has to stop. Here, for the benefit of theatre people everywhere, is a rundown of all the Ford-themed stage productions we know of, complete with a handy guide to which of them were just absolutely terrible ideas.
Anyone who has driven past the Don Valley Parkway’s rainbow tunnel over the past 40 some-odd years and not somehow cashed in on the experience will be feeling pretty dumb on June 30th, when Sotheby’s London auctions off a painting of that very tunnel for a sum that, according to the Globe, is considered likely to land well north of $16 million.
There are few celebrities bigger (or smaller, for that matter) than Peter Dinklage in 2014, and so it’s not surprising that the Game of Thrones and X-Men: Days of Future Past star’s appearances in Yorkville over the weekend caused a little bit of a stir. Dinklage is in town with Adam Sandler, shooting a Chris Columbus movie called Pixels, which IMDB says is about video-game experts who “are recruited by the military to fight 1980s-era video game characters who’ve attacked New York.” That may not be the most promising premise, but it does at least mean that Dinklage (and Sandler, and a few other famous-ish people) will be around town for the next little while, so anyone who missed their opportunity to sneak a picture of Tyrion Lannister himself may get a second chance.
Here’s what happened while Dinklage was in Yorkville.
This summer, there’s movie magic all over the city—in parks, on beaches and on train platforms galore
The long winter of 2014 was Toronto’s coldest in 20 years, transforming the city into a treacherous tundra and its citizens into those icicle zombies from Game of Thrones. Now that it’s over, we’re ready to go out—and stay out. Luckily, there are more things to do outside than ever before—more starlit movies, festivals and open-air theatres. Here, a handy guide to alfresco events in the city—the kinds of season-specific cultural goodies best enjoyed on a blanket with a discreet plastic party cup in hand. (For venue locations, see the map, below.)
Directors shoot all kinds of movies in Toronto, but if the movie actually has to be set here, seemingly only one genre will do: romantic comedy. The F Word, a soon-to-be-released movie starring Daniel Radcliffe and Zoe Kazan as a cute couple trapped in an awkwardly sexless friendship (in the U.S., it will be released under the tamer name What If), is the latest film to bring a complicated romance to town. The official trailer just landed on YouTube today. It’s embedded above, but here, for convenience’s sake, are some screenshots of all the Toronto locations in it we could identify. Because it’s always nice to see the hometown getting its due.
Feel free to let us know in the comments if you spot any locations we missed. (If you saw the movie when it debuted at TIFF last year and are totally over it, feel free to keep that to yourself.)
After his messy breakup with the Factory Theatre, Ken Gass has rebounded with a star-studded new company. How a shy indie producer became one of the most powerful players in Toronto theatre
In June 2012, the harmonious Toronto theatre community experienced its first juicy scandal. That month, the Factory, one of the most storied players in the city’s indie drama scene, fired Ken Gass, their long-time artistic director—he founded the company in 1970, rescued it from financial ruin in 1996, and introduced Canadian theatregoers to nascent dramatic giants like George F. Walker and Tomson Highway. At the heart of Gass’s dismissal was a scuffle so mundane it could’ve been a Slings and Arrows spoof. He wanted to transform the haunted mansion of a theatre into a sparkling modern arts centre. The board refused, claiming Gass’s plan would have cost $13 million—about 40 times the yearly fundraising amount.
This weekend marks the ninth edition of the Toronto Comic Arts Festival, the annual two-day exhibition that takes over the Toronto Reference Library—and some surrounding sites—for the purpose of celebrating comics and cartoonists. The festival differs from nerd conventions like Comicon or Fan Expo, where cosplay is commonplace and many of the products are pushed by major media companies. Instead, TCAF focuses on smaller publishers and self-publishers. Since it was launched in 2003, the event has become one of the most popular and successful of its kind in North America. And it’s free to attend.
Here, a handy guide to getting the most out of the festival.
1. Know who you want to see
There are hundreds of cartoonists from around the world at TCAF, and you can’t see them all. So check out the list of exhibitors beforehand. Maybe you’re a lifelong For Better or For Worse fan, and would like to tell Lynn Johnston how you felt when Farley died. Or maybe you want to tell Kate Beaton that you love her comics about bumbling historical figures. Or maybe Jeff Smith’s super popular Bone series is more your speed, and you want him to sign your book. That’s great, and you can do all that. But they’ll have long lines, so pick and choose who you most want to meet so you don’t leave disappointed.
Maybe this post’s headline should have been “Rob Ford delivers promised boost to tourism”?
In any case, the first five minutes of this week’s This American Life are very much worth listening to, and not only because This American Life is great. As the lead-off to an episode titled “I Was So High,” the venerable public-radio show included a segment by producer Sean Cole about the role cocaine plays in Toronto’s bar scene. (People who do cocaine in bars probably don’t need a radio show to tell them how pervasive the drug is, but to the rest of us it’s news.) Cole interviews a few local bar workers and concludes that coke is like “fuel for the staff.” Naturally, mayor Ford gets a mention. One gets the sense that his spectacular public-relations work on behalf of Toronto’s coke scene may have been what got the story green-lit.
Host Ira Glass seems duly nonplussed by our mayor, but you know what? This American Life is based in Chicago. To the best of our knowledge, Ford is their problem now.
Audio of the segment can be found on the show’s website.
First, there was Seinfeld, everyone’s favourite show about nothing, mining the neurotic self-involvement of four scheming Manhattanites for primetime laughs. Then, there was @SeinfeldToday, a Twitter parody imagining what Seinfeld would be like if it were still on the air, loaded with easy jokes. Stuff like:
Fake pictures on Craigslist make Elaine's apartment hunt insane. Kramer claims to be the inspiration for all three Hangover films.
— Modern Seinfeld (@SeinfeldToday) May 15, 2013
This joke is “funny” because Craigslist didn’t exist for most of Seinfeld’s original run, but does now. Also the Kramer joke nods to the “Peterman Reality Tour” plotline, while also referencing the Hangover series of films, which you have heard of. So then, thanks to the Twitterverse’s tendency to treat parody as some cannibalizing game of one-upmanship (see: the numerous Black Stewie or garbage Shrek accounts), there emerged @Seinfeld2000, an actually funny twitter account that simultaneously parodied Seinfeld and the @ModernSeinfeld account. Less “George uses an iPhone 5” and more stuff like:
Jary gaze wistfuly at his own reflectien in the miror JARY: Whats the deal … with me? He search his sad eyes for an answer but find none
— Seinfeld Current Day (@Seinfeld2000) November 19, 2013
The jokes struck a chord with the perpetually over-it, post-hipster set (or, you know, just people who like jokes). @Seinfeld2000 eventually began to enjoy a certain measure of subcultural infamy, boosted by the release of an e-book (published online by Gawker) and semi-surreal, stream-of-consciousness writing for VICE. He operated anonymously, without any attempts to leverage the Twitter account into opportunities for his “real” self. Until now.
This weekend, The New York Times revealed that @Seinfeld2000 is real. And better: he’s Torontonian.
On the sci-fi thriller Orphan Black, Tatiana Maslany juggles seven distinct characters—a feat of dramatic dexterity that’s made her TV’s biggest breakout star
Tatiana Maslany has the toughest job in television. On the Toronto-shot sci-fi thriller Orphan Black, she plays Sarah, an east London street thief; Alison, a supremely high-strung Scarborough soccer mom; and Helena, a psychotic Ukrainian assassin. Then there’s Cosima, a Berkeley-hippie grad student; Beth, a suicidal cop; and Rachel, an icy CEO. They’re clones, engineered by an evil biotech company for a twisted science experiment. All totalled, Maslany plays seven wildly different characters—a feat of dramatic dexterity that has earned her raves since the show premiered on Space in March 2013.
Anyone who knows Mike Daisey at all probably knows him from The Agony and Ecstasy of Steve Jobs, a fantastically entertaining monologue about Apple’s labour practices in China that managed to inspire some justified public uproar over low-wage electronics assembly after it aired on NPR’s This American Life. Daisey became even better known, although not in a good way, when it turned out that many of Agony and Ecstasy’s supposedly true details were entirely made up.
The scorn Daisey faced following This American Life’s hour-long retraction of his story puts him in a unique position when it comes to Rob Ford. Both men became famous by breaking sacred rules, and now Daisey plans to capitalize on that connection. He’ll be debuting Dreaming of Rob Ford, his newest monologue, at Crow’s Theatre’s East-End Performance Crawl in May.