Way Off Broadway, Episode 12
It’s finally time for the big show. After eight weeks, over a dozen four-hour rehearsals, four celebrity guests, seemingly endless inner turmoil and moments of pride and shame, Sarina Condello’s production of The Wizard of Oz is about to be fully realized by 21 amateurs. It feels like it’s been a long road for director Sarina, musical ingénue Sheila and their cast of hopefuls, but, in fact, this play has been developed at warp speed. The lease is up on the church basement and they’re hauling everything down the street to Toronto’s Danforth Music Hall where, in two days, they’ll perform for a sold-out crowd of 1,000-plus friends and family.
Needless to say, no one feels prepared. (Probably because very few actually are.) Bailey, Sarina’s assistant and last week’s silent hero, has the flu and is still working overtime, helping the cast run through lines at Rick’s house before full dress rehearsal. She’s wearing a mask to keep any contagions at bay, and she’s not taking guff from anyone—not even the few cast members that are starting to let their nerves get the best of them.
While half the cast is finding their footing on stage, Michael and Siobhan volunteer to create the playbill for the show. Across town, Matt is at his restaurant creating a signature “Ruby Slipper” cocktail for the cast party. (Our guess is that drinks will be very important when this is over.) But before the cast can celebrate with alcohol, the show must go on—and no one is having a harder time than costumers Gail and Rosario. A few episodes back, when they were scouting locations, the idea was to turn the theatre’s back lot into a tented costume room. But, of course, it’s raining, so the tents aren’t working. The ceiling is pooling, there are electrical wires everywhere and Gail is a little sparkplug with a trucker’s mouth. Things are not running smoothly, that’s for sure.
As the dress rehearsal begins, the microphones go on, the make-up is plastered and the costumes are final. It’s thrilling to see everyone’s characters come to life, except there’s some debate about LeeAnne’s Dorothy: Taz thinks she looks like a “really slutty Dorothy” and Jodi thinks the costume looks “a little whorish.” Sandra looks radioactive as the Wicked Witch; Michael, the Lion, looks adorable with painted whiskers; and Sean, the Tin Man, is covered in glitter (and needs help getting into his costume by his mother). The gang’s all here.
Here are the highlights: Bernie, who initially had a lot of trouble emoting and harnessing his stage presence, pulls off his Professor Wonder character, and it even garners a few laughs. We totally forgot that “Somewhere Over The Rainbow” comes early in the show, and LeeAnne pretty much kills it. Rebecca’s voice isn’t so bad either, which is a surprise to us, since we’ve rarely heard her sing at all since the Dorothy auditions. The crows look like Grease’s Danny Zuko, and they’re hilarious. Sean’s Tin Man has an endearing tap solo with Toto, and he doesn’t look nearly as terrified singing as he did when he played the role as a kid. As for the others? Michael, the Lion, looks like he’s finally opened up and is actually having fun moving around stage; Jodi, our favourite of the season, manages to deliver her one line and make the crowd laugh; and Taz gives a great performance, proving she has finally gotten over herself.
Although we didn’t get to see many “mistakes” (or the Wicked Witch die), it has been a terrific—and sometimes perilous—journey. The entire cast of this season of Way Off Broadway deserved their round of applause. We’ll catch you all over the rainbow. Or next season.
Tonight, Sarina raised $25,000 for her charity The Big Little Caravan of Joy, which provides creative arts camps for Canadian aboriginal children and orphaned children in Africa. She’s helping change lives, both at home and abroad, which she couldn’t have done without Sheila. Congrats, ladies. You did some good.