Danny Grossman
How the modern dance guru, whose company performs at Harbourfront this month, would spend a single perfect day. Toronto on ... By Amy Verner
Soft light illuminates a stunning marble-topped bar that runs half the length of this narrow space in the Beach. If you know it’s there, it must be tempting to drop by casually, though most diners on this night seem to have reserved, a reflection of popularity and limited space. The menu respects no single tradition, and several dishes have many influences. Crispy won tons hide morsels of slightly spiced ground beef. The corn and avocado salsa alongside is more the former than the latter, making the whole dish strangely evocative of a Latin-Asian shepherd’s pie. Several impeccably grilled shrimp canopy a small black bean and avocado salad. Citrus papaya dressing helps bridge the gaps. Duck confit, crisped on the outside, reveals tender and flavourful flesh underneath. The accompanying Israeli couscous takes well to the duck jus; every bead is coveted. The wine list is wide-reaching. Service is efficient. Mains $17–$29.
Marble abounds in this elegant French restaurant, complete with an ...
Once the last of the lunchtime BlackBerrys has left the ...
A stomping ground for ad agency types and Globe staffers, ...
Lunchtime finds this little Alsatian bakery full of locals looking ...
How the modern dance guru, whose company performs at Harbourfront this month, would spend a single perfect day. Toronto on ... By Amy Verner
Sweet, rich and gloriously sinful, Lai Wah Heen’s Wuxi spareribs make a perfect mid-winter meal. So we got chef Ken ...
Through his short, bright career, Scot Woods has been obsessed with bringing the world’s cuisines to his cooking. Other chefs ... By James Chatto
November 20, 2008
The Company Theatre has adapted this 1998 Cannes Jury Prize winner for its third production
B.C. troupe Atomic Vaudeville brings together bluegrass, gangsta rap and puppetry for this clever one-act