May 2008

Getting Reel

Two CanLit classics are hitting the big screen. Let the book club field trips begin By Gillian Grace

Book lovers always tense up when their favourite novels unspool in the theatres. This season, fans of Margaret Laurence’s The Stone Angel (geriatric bitching and reminiscing) and Anne Michaels’ Fugitive Pieces (plucky child survives the Holocaust, lands in Greece, settles for Toronto) have reason to wonder: can the movies ever measure up?

Ellen Burstyn brings tenderness to the ornery main character, whose musings on constipation have been the bane of many a high school English student.

<   THE GOOD  >

Well-cast actors, including Brit Stephen Dillane as the grown-up Jakob, and Serb Rade Sherbedgia as his Greek saviour, reflect a newly polyglot post-war Toronto.

Faced with an admittedly tricky task, director Kari Skogland awkwardly dramatizes Hagar’s lengthy internal monologues.

<   THE BAD  >

As with the novel, the flick loves poetic passages that drip like honey, imbuing each elegiac, limpid scene with...wait, what were we talking about again?

A modern-day setting (cellphones!), a smoother love interest (Bram’s moves now include taking Hagar on a picnic, instead of pressing “his outheld groin against [her] thigh”) and lots of sex.

<   THE DEVIATION  >

Director Jeremy Podeswa ditches much of the book’s anticlimactic final third—narrated by Jakob’s loyal reader, Ben—to create a more film-friendly, focused dramatic arc.              

A respectfully tame take on the fierce-and-fiery original.

<   THE VERDICT  >

A skilled adaptation of a novel some said was impossible to film.


The Stone Angel opens in select theatres across Toronto on May 9; Fugitive Pieces opens in select theatres across Toronto on May 2.





 
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