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All stories relating to theatre

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Today in Toronto: Dancing Queen and Oil and Water

Dancing Queen Two enfants terribles of Toronto’s queer scene join forces for a show that, title aside, has little to do with ABBA (sorry, Mamma Mia fans). Performance artist Keith Cole choreographs Sky Gilbert’s play about the love triangle that occurs when a young buck moves to the big city and becomes acquainted with a pair of older men. Gilbert directs. Find out more »

Oil and Water The terrific Newfoundland company Artistic Fraud returns with a new production by playwright Robert Chafe and Siminovitch winner Jillian Keiley. After surviving a shipwreck, African­-American sailor Lanier Phillips is welcomed by the town of St. Lawrence in this based­-on­-a­-true­-story tale of race and redemption. The tale is augmented by a boatload of a cappella gospel and folk singing. Find out more »

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Today in Toronto: The Game of Love and Chance

The Game of Love and Chance Canadian Stage’s artistic director, Matthew Jocelyn, reaches back to the days of Marivaux and commedia dell’arte for the company’s one classi cal production of the season. Stock characters (Arlequin, Lisette) are in the mix, as are characteristic plot points involving marriage and mistaken identity, but expect Jocelyn to give the French favourite a modern twist. Find out more »

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Listen to Kathleen Turner’s husky voice on five separate occasions

Kathleen Turner (Image: Viva Vivanista)

In anticipation of Kathleen Turner’s upcoming role in the Mirvish production High (from May 8 to 13), Carlton Cinema has announced it will be hosting a free film fest on April 28 that will be screening Turner classics Peggy Sue Got Married, Romancing the Stone, The War of the Roses and Body Heat. We’re excited to see her endure a Florida heat wave and convince her lover to kill her husband on the big screen (it’s one of her sweatiest roles to date).

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Today in Toronto: Prisoner of Tehran, ReelWorld Film Festival and more

Prisoner of Tehran Marina Nemat wrote about her journey from being a prisoner in Iran’s infamous Evin Prison to being a mother and writer in Aurora in her harrowing—and bestselling—2007 memoir. Fresh from getting notoriously bashed on this year’s edition of Canada Reads by high­-profile Quebec lawyer Anne-­France Goldwater, the book is now a play, adapted for the stage and directed by Maja Ardal. Bahareh Yaraghi stars. Previews on April 10. Find out more »

ReelWorld Film Festival With nearly half of the city’s population identifying themselves as a visible minority, ReelWorld is a festival with the kind of mandate perhaps even its organizers hope will soon become redundant. It’s dedicated to featuring the films of Aboriginal, Asian, black, Latino, Middle Eastern and South Asian communities in Canada and from around the world. Find out more »

Sondra Radvanovsky Anyone who saw her as Aida at the COC last year is undoubtedly slavering for more Verdi from this richly hued, lustrous voice. Here’s your chance. The TSO has programmed a full evening of Verdi and Tchaikovsky, with Radvanovsky fully up to the stringent demands of two pieces from La forza del destino. Orchestral works by the two composers complete the program. Find out more »

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The Pick: Clybourne Park, an acerbic play about the intersection of race and real estate

Jeff Lilico, Sterling Jarvis, Maria Ricossa and Audrey Dwyer in Clybourne Park (Image: John Karastamatis)

Clybourne Park, the Pulitzer Prize­–winning play currently running at the Berkeley Street Theatre, feels almost tailor-made for this ethnically diverse and neighbourhood-obsessed city. With a mix of irony and sobering insight, it follows the eponymous Chicago enclave’s evolution from middle-class oasis to black ghetto to gentrifying hip strip, teasing out the deeply entrenched racial and cultural barriers between its characters in the process.

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See, Hear, Read: our experts pick the movie, music and book release of the month

They love it. We want it. Three red-hot releases

Extremely Loud and Incredibly Close“This was a dark horse for the Best Picture Oscar this year. It’s a 9/11 film, but it takes a very unusual perspective on the effects of that day. A child finds a key his dead father left behind and has to figure out what it’s for. In his search, he meets others who have suffered similar losses. Stephen Daldry has a real knack for telling bittersweet stories that shun the usual Holly­wood happy ending. This one would make a great double bill with Daldry’s The Reader.”
—Ed Guca Owner of Movie Art Decor

Extremely Loud and Incredibly Close, (April 3)


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Spotlight: theatrical virtuoso Daniel MacIvor exposes a bitterly funny slice of life in Was Spring

Daniel MacIvor
In Toronto’s occasionally precious theatre scene, Daniel MacIvor is like a pit bull in a 
Japanese paper shop, joyfully shredding his surroundings and refusing to stay put. Though the 49-year-old playwright-actor-director made his name with intense one-man shows like Monster and House, he has resisted settling into any particular niche. Whatever genre or form he throws himself into, he unleashes dialogue that is caustic, clever and often bitterly comical. He doesn’t avoid politics or grand ideas, but his preferred territory is the tragic farce of our dysfunctional humanity—his plays would be crushing if they weren’t so funny. In Was Spring, premiering at Tarragon this month, MacIvor takes a mordant look at three generations of women as they hash out long-held grievances. His characters say truly terrible things to each other, but their salty, muscular language is tempered by a kind of understanding. Even when they’re fighting, which they almost always are, they get one another on a cellular level. Was Spring is one of a group of MacIvor plays about motherhood that includes 2010’s Communion—he is the rare male playwright who does not shy away from telling women’s stories. Next month, MacIvor takes on a new challenge, making his Stratford Festival debut with The Best Brothers, about a pair of siblings who inherit their mother’s dog following her demise. Death, family squabbling and an unwanted dog—sounds like perfect MacIvor material.

THEATRE
Was Spring
Tarragon Theatre
Extra Stage
April 4 to May 6

(Image: Kourosh Keshiri)

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Today in Toronto: Michael Schade and Thomas Quasthoff, The Magnetic Fields and more

Michael Schade and Thomas Quasthoff Tenor Schade makes frequent appearances in Toronto, both on the operatic stage and in concert, but celebrated bass-baritone Quasthoff rarely performs in North America. Quasthoff’s recordings win critical raves, and this concert, which balances his robust baritone with Schade’s lyrical sweetness, is the month’s don’t-miss vocal performance. Find out more »

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The Weekender: Earth Hour Sing-A-Long, Prom at the ROM and five other items on our to-do list

The Weekender: Prom at the ROM, Earth Hour and One Of A Kind Show

1. EARTH HOUR SING-A-LONG CONCERT (FREE!)
This Earth Hour, instead of staying home, join the crowd at this environmentally friendly sing-a-long concert. Bring your candles, flashlight, lantern or other light-maker of choice and get down to the “official rally cry,” written by local new media composer/YouTube sensation Andrew Huang, and performed with the help of grown-up glee club Choir! Choir! Choir! Also on the lineup is Aussie artist Jerrem Lynch, who will be projecting art onto a wall at a nearby building. Bonus: you won’t be sitting in the dark solo. March 31. Trinity Square, The Distillery Historic District, 55 Mill St., earthhour.wwf.ca.

2. PROM: CIRCUS
Generally speaking, museum benefits tend to be a little stuffy. This one? Not so much. The annual fundraising event of the ROM’s Young Patrons’ Circle, Prom at the ROM is more of a super-fashionable bash that attracts a who’s who of the city’s young and fabulous. This year’s big-top motif means illusionists, a midway and as much cotton candy as any one person could reasonably eat—plus, with any luck, totally over-the-top outfits. Proceeds from the evening fund programming, acquisitions and research at the ROM. March 31. $125–$300. Royal Ontario Museum, 100 Queen’s Park, 416-586-5772, rom.on.ca/prom.

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Today in Toronto: My Granny the Goldfish

My Granny the Goldfish Originally part of Factory’s Crosscurrents Festival, Anosh Irani’s comedy returns to Toronto as a full-length production. The playwright looked to his grandmother for inspiration—in Goldfish, she’s a vivacious, whiskey-drinking meddler who travels from India to Canada to heal her hospitalized grandson. Previews from March 17. Find out more »

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The Weekender: Canadian Music Week, Jane Goodall and six other items on our to-do list

The Weekender: Shrek the Musical, The Power Plant Spring Programming and Jane’s Journey

1. CANADIAN MUSIC WEEK
Music lovers can thank this huge, new music-focused fest for the influx of current rock stars and up-and-comers into the city this week, like Slash, I Mother Earth, Dragonette, The Sheepdogs, The Trews and so on. But CMW isn’t just about trying to go to as many shows as we have time for/can afford. In addition to the music festival, there’s a comedy festival, film fest and four conferences—a Digital Media Summit (with a keynote address by Arianna Huffington), Radio Interactive, International Music Summit and Songwriters’ Summit. March 21–25. Wristbands $35–$75. Various locations, cmw.net.

2. THE POWER PLANT SPRING PROGRAMMING (FREE!)
The Power Plant, Harbourfront’s contemporary art gallery and one-time actual power plant, is turning 25. Unlike most galleries, The Power Plant doesn’t buy or sell art—instead, it features exhibits curated around a theme and is comprised of borrowed art. The spring program features two exhibitions themed around history and memory: Kerry Tribe features an installation/screening of her newest project, There Will Be ________, accompanied by two of her older works; and German architect and writer Markus Miessen will showcase his installation “Dissenting Histories,” a collection that focuses on The Power Plant’s history (everything from VHS recordings to artist talks to slides to past invitations). The Power Plant, Harbourfront Centre, 231 Queens Quay W., 416-973-4949, thepowerplant.org

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Today in Toronto: Blackie and the Rodeo Kings and The Seagull

Blackie and the Rodeo Kings Canada’s folk-rock supergroup—consisting of Tom Wilson, Stephen Fearing and Colin Linden—celebrated their 15th year together in 2011 with Kings and Queens, an album of duets that paired the very male trio with some of their favourite female singers. This rare Toronto date recreates some of that magic, with special guest spots from Mary Margaret O’Hara, Holly Cole, Serena Ryder and others. Find out more »

The Seagull A Chekhov play is far from an obvious inspiration for dance, though its loaded silences leave lots of room for a choreographer. John Neumeier takes full advantage, shaping a meditation on the nature of love danced to a mash-up of composers like Shostakovich, Tchaikovsky, Evelyn Glennie and Scriabin. Find out more »

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Today in Toronto: Cosi Fan Tutte, Dancing With Rage and more

Cosi Fan Tutte Despite its somewhat contrived happy ending, Mozart’s opera about two men testing their fiancées’ affections by wooing each other’s in disguise is a psychologically astute exploration of the fragility of roman-tic love. This student production showcases fresh young voices for whom testing the limits of fidelity might be more than a theoretical concern. Find out more »

Dancing With Rage Mary Walsh performs her first one-woman show in more than two decades, taking audiences on a frenzied, current events–filled ride through comedy and pathos. Familiar characters, such as the Rob Ford–baiting warrior princess Marg Delahunty, make an appearance, and Walsh mines her own unhappy childhood for material. Find out more »

Exodus Ballet Creole, which integrates traditional African and Caribbean movement and music into a contemporary whole, celebrates the career of Almond Small, now retiring as principal dancer with OMO Dance Company. Work by Danny Grossman forms part of this send-off, as does a piece by Ballet Creole founder and choreographer Patrick Parson. Find out more »

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Today in Toronto: The Happy Woman and The Small Room at the Top of the Stairs

The Happy Woman Nightwood Theatre takes a hard look at what lies beneath happiness with the world premiere of Rose Cullis’s new play. Sixty-something widow Margaret is perfectly content: she has a gorgeous daughter and a son with a new wife and a baby on the way. Now if only everyone could keep the crazy at bay and stop delving into the past. Kelly Thornton directs. Find out more »

The Small Room at the Top of the Stairs The newly married Grace has been given one simple—and simply impossible—directive by her husband: do as you wish, but never, ever enter the small room at the top of the stairs. The niggling question of what’s beyond the locked door proves irresistible in playwright Carole Fréchette’s riff on the Bluebeard story. Weyni Mengesha directs. Find out more »

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Today in Toronto: Antonio Caballero, Jordi Savall and more

Antonio Caballero The images Mexico’s Caballero produced for 1960s fotonovelas look a little like early prototypes for the staged melodramas of Cindy Sherman. They may be a half-step away from found art, but the photos—of gals with guns and parties gone awry—offer much campy pleasure. This is the Canadian debut of his work. Artwork $8,000–$12,000. Find out more »

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