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The Loaded List: we catalogue the astronomical salaries of Toronto’s ruling class

The Loaded List
It’s not particularly polite to ask rich people what they earn. But tact is overrated, and we wanted to know, so we asked anyway. When they told us to get lost, we got sneaky. We dug up disclosure documents, annual reports and the tax filings of charitable organizations. When those trails went dry, we surveyed industry insiders who know what other people make—headhunters and consultants and analysts and colleagues—and asked for an educated guess. After hundreds of calls and emails and deep-throat meetings in dark alleys, we phoned the high earners back and told them what we found. Again, with feeling, they told us to piss off.

What follows is our shamelessly gawking, as-precise-as-possible examination of the highest-paid people in the city’s top industries. When the information was available, we included bonuses and perks and, in some cases, exercised stock options. Our findings verified that a high earner in finance is almost always on a different plane (a private jet, usually) than a high earner in, for example, the lowly arts. One major discovery: Heather Reisman took a pay cut. One truth reconfirmed: no matter how rich you are, there’s always someone who makes a helluva lot more.

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VIEW BY INDUSTRY » GOLD ARTS AND ENTERTAINMENT FUND MANAGERS SPORTS SHOP OWNERS MEDIA LANDLORDS BAY STREET PUBLIC SERVANTS

VIEW BY SALARY » SEE 69 OF THE RICHEST PEOPLE IN THE CITY’S TOP INDUSTRIES, SORTED BY SALARY FROM HIGHEST TO LOWEST

The Hype

TIFF Talk

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Opening soon: a peek inside the Bell Lightbox, TIFF’s new home

The Lightbox lobby. Now picture it filled with celebs (Image: Karon Liu)

With less than two months to the Bell Lightbox’s grand unveiling, we put on our hard hats and rubber boots Friday to see how far TIFF’s new home has come since we last saw it a year ago.

Noah Cowan, the Lightbox’s artistic director and former TIFF co-director, guided us through the main entrance at King and John, where celebrities will walk down a black granite path (it will serve as the red carpet area) with enough space for media lines on either side. To the right of the entrance will be a shop stocked with all things-film related (“not unlike a museum gift shop,” says Cowan) and to the left will be a casual marketplace-style restaurant from Oliver and Bonacini.

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Toronto International Film Festival 2009

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Goodbye, Yorkville, our old friend: A peek inside TIFF’s skeletal new home, the Bell Lightbox

Noah Cowan, Bell Lightbox artistic director, shows off the fourth floor of the building that will be used as a film reference library.

Noah Cowan, Bell Lightbox artistic director, shows off the fourth floor of the building that will be used as a film reference library (All photos by Karon Liu).

Although the Toronto International Film Festival won’t be settling into its new home until this time next year, last week we donned hard hats, construction boots and goggles (and signed a spooky-looking safety waiver) and took a tour of the half-built Bell Lightbox. Oh, the perils of entertainment reporting.

The five-storey tower at the corner of King and John Streets (a $22-million piece of land donated by Ivan Reitman, his sisters and the Daniels Corporation) will have five theatres with a total of 1,300 seats, learning studios for film students and two dining spaces occupied by Oliver and Bonacini. Noah Cowan, artistic director of the Bell Lightbox and a former TIFF co-director, says that the goal is to move the festival into a more central downtown location over the next three years.

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