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Jessica Stam and John Galliano in 2007 (Image: Dave M. Benett/Getty Images)
Natalie Portman may have withdrawn her support for John Galliano after a video surfaced depicting the soon-to-be former Dior designer unleashing an anti-Semitic tirade on patrons at a Paris bar, but Canadian model Jessica Stam remained committed to the label, walking in Galliano’s final Dior show in Paris last Friday. In the drunken rant, Galliano, who joined the fashion house in 1996, drunkenly proclaims “I love Hitler,” an offence punishable as a crime under French law.
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Selena Gomez and Justin Bieber arrive at the Sunset Tower in L.A. for the Vanity Fair Oscars party on February 27, 2011 (Image: George Pimentel)
Toronto’s top celebrity shutterbug, George Pimentel, spent last week—Oscar week—stargazing in Tinseltown. His tour included the Academy Awards’ most VIP red carpet at the Vanity Fair Party. Here, George dishes on Justin Bieber’s new lady, Scarlett Johansson’s superior beauty and why (as we suspected) Natalie Portman is as smug and snotty as they come.
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Our ears perked up last month when we heard about a study out of the University of Toronto’s Rotman School of Management that gave scientific credence to the so-called Best Actress Academy Award Curse. For the uninitiated, the curse refers to how Best Actress Oscar winners seem more likely to split from their spouses than fellow nominees (see: Sandra Bullock, Reese Witherspoon, Kate Winslet, Hilary Swank and Halle Berry, as well as old Hollywood icons Bette Davis and Joan Crawford). At first, we wondered if crunching Hollywood heartbreak numbers is the most effective use of our city’s most beautiful minds (doubtful), but soon we moved onto more useful thoughts, such as: could the Rotman findings be used to help predict this Sunday’s Best Actress Oscar winner?
The Toronto study looks at what happens post-Oscar, but apply a little Freakonomics-style chicken-and-egg skepticism and all of a sudden it’s unclear what came first: the golden statue or the marital strife. Perhaps a troubled personal life is more likely to inspire an Oscar-worthy performance. With this hypothesis in mind, we examine this year’s nominees »
That’s all, folks—TIFF is toast for 2010, but we still have the memories. We asked our team to dish on the best and worst, the scary and the sublime, the hot and the lame of this year’s festival. Find out what they told us in the slide show below.

As with any film festival, TIFF 2010 had its share of disappointments (Miral, Hereafter) and outright disasters (Passion Play, What’s Wrong With Virginia), but the general consensus is that this was a pretty good year. Critics and audiences found more than a few gems, and an astounding 18 films that arrived here without North American distribution have already found buyers. By our reckoning, however, eight films stood out as the biggest winners of the festival.
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It’s a tale of two festival cities: on the left, we have Natalie Portman attending the TIFF premiere of Black Swan last night, and on the right, the actor attends the same premiere two weeks ago in Venice. Can you spot the difference? Read the rest of this entry »
We spotted these ladies at last night’s premiere of Black Swan. Who do you think was best dressed?


One of Pimentel's festival snaps (Image: George Pimentel)
The city might not be in the full throes of TIFF just yet (official celebrations begin tomorrow), but that didn’t stop the society types from fêting noted celeb photographer George Pimentel with a lavish party at the Four Seasons’ Avenue Bar. The room, though festooned with shots of such bigwigs as Robert De Niro and Scarlett Johansson, wasn’t packed with the Hollywood crowd, but Toronto royalty—Stacey Kimmel, Hello! magazine’s outgoing editor Ciara Hunt, Food TV’s Rocco DiSpirito, ASC PR honcho Alexandra Weston (preggers again) and Canada AM’s Seamus O’Regan—congregated to congratulate Pimentel on the exhibition of some of his most memorable festival photographs (see a slide show of the works here).
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Toronto’s resident paparazzo George Pimentel knows all about the pleasures and perils of shooting Hollywood’s A-list. This evening, the celebrity shutterbug will debut a collection of his festival snaps at the Four Seasons’s Avenue Bar and Lounge. We sat down with Pimentel to get a sneak peak of the exhibit and the scoop behind his favourite shots. See the slide show now >>

(Image: James Helmer)
The Oscar baiting of TIFF films has officially begun, with acclaim for Darren Aronofsky’s Black Swan pouring in—with overwhelming praise for Natalie Portman’s starring performance—after its international premiere at the Venice Film Festival. The film, scheduled to screen in Toronto on September 13 at Roy Thomson Hall, follows Nina (Portman) as a spotlight-craving ballerina who becomes entangled in a pas de deux with a rival dancer played by Mila Kunis. Eventually Nina’s plight takes a Cronenberg-esque turn (hey, this is an Aronofsky flick), with her eyes discolouring and wings sprouting from her back as she becomes the swan she strives to portray onstage.
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