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The Hype

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Nadine Labaki’s Where Do We Go Now? wins the Cadillac People’s Choice Award—but will it be Oscar bait?

(Image: Christopher Drost)

And that’s a wrap.

The official closing ceremony for the 36th annual Toronto International Film Festival took place at the Four Seasons Hotel yesterday. TIFF 2011 co-directors Cameron Bailey and Piers Handling hosted the affair, and the attendees sipped mimosas and munched on egg souffle, spinach-and-flower petal salad, roast potatoes and crème brûlée (note: festival food is yum). Where Do We Go Now?, a dramatic comedy set in war-torn Lebanon that follows the lives of several women trying to keep their husbands out of the conflict, received the Cadillac People’s Choice Award, which in past years has been a sign of Oscar-y things to come (but we’re not so sure about this one). The Cadillac People’s Choice Documentary Award went to Jon Shenk’s political documentary The Island President and Gareth Evans took home the Cadillac People’s Choice Midnight Madness Award for The Raid.

Full list of winners here.

The Hype

TIFF Talk

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QUOTED: Cameron Bailey on studios courting festivals and festivals courting studios

It’s a mutual seduction. Sometimes we’re chasing them, sometimes they are chasing us…. After last year, there is more of an awareness now among the major companies that a festival can do a lot for their film, not just in prestige but in dollars and cents.

– TIFF co-director Cameron Bailey [Variety]

The Hype

TIFF Talk

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QUOTED: TIFF co-director Cameron Bailey on TIFF’s move to King West

I’m doing everything I can to create a real festival neighbourhood. As we grew in the old neighbourhood we kind of got a little spread out. The idea is really to try and consolidate things. We’re spending time doing everything from going to restaurants across the street and talking to them about how they can get involved and that kind of stuff. I really want people to use the King Street strip as festival central this year.

— TIFF co-director Cameron Bailey on TIFF’s move to King West

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QUOTED: Cameron Bailey gives advice to directors submitting their films to TIFF

Understand that we see thousands of films every year. That idea that might seem original probably isn’t. We hate arthouse clichés as much as we hate commercial movie clichés (or at least I do.)

— TIFF co-director Cameron Bailey [Indiewire]

The Hype

TIFF Talk

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TIFF announces Rising Star Programme to promote Canadian talent abroad

Cameron Baily at TIFF 2010 (Image: Karon Liu)

Late last week, the Toronto International Film Festival announced a new program designed to launch Canadian careers into international markets. Beginning at this September’s TIFF, the Rising Star Programme will showcase four up-and-coming Canadian actors and connect them with established Canadian talent with successful careers abroad (we’re betting the lion’s share are in the U.S.).

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The Hype

Telling Tales

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Secrets of a society photographer: George Pimentel shares his favourite shots

Galen Weston Jr.’s Bieber haircut, a commando mission to shoot Conrad Black, and the never-ending battle for fashion supremacy—George Pimentel has seen, done and documented it all. Tonight, the celebrity photographer shares 300 of his favourite Toronto society snaps at a VIP-filled bash at the Carlu. In case you didn’t get an invite, here’s a sneak peek at some of Pimentel’s most memorable shots.

Begin the slide show >>

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The Hype

TIFF Talk

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The King’s Speech takes TIFF’s top honour (and becomes Oscar bait)

TIFF co-director Cameron Bailey prepared to hand out the People's Choice awards (Image: Karon Liu)

And that’s a wrap.

The official closing ceremony for the 35th Toronto International Film Festival took place at the Intercontinental on Front Street yesterday. The King’s Speech took the Cadillac People’s Choice Award, joining previous winners (read: Oscar bait) Precious, American Beauty and Slumdog Millionaire. The People’s Choice Award for best documentary went to Force of Nature: The David Suzuki Movie, and the People’s Choice Award for the best midnight madness film went to Stake Land, with Fubar II getting the runner-up prize.

Full list of winners here.

The Hype

TIFF Talk

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TIFF PHOTO GALLERY: David Schwimmer, Strombo and Ron McLean on the red carpet for the official TIFF opening night party

Cast members from So You Think You Can Dance Canada at the TIFF opening party at Liberty Grand (Image: Karon Liu)

By all accounts, the official TIFF opening night party was a Canad-a-thon, mostly featuring TV actors, singers, filmmakers and movie stars from the Great White North. Our red carpet gallery captures the mood of the opening night of the festival as the party-goes arrive for their night at the Liberty Grand.

See the gallery below.

The Hype

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TIFF PHOTO GALLERY: Olivia Newton-John, Nelly Furtado and the rest of the cast walk the red carpet at the Score gala

Actress Allie MacDonald walks the red carpet at the press gala at Roy Thomson Hall for Score: A Hockey Musical (Image: Karon Liu)

Reaction to the movie itself may have been mixed, but excitement was universal as TIFF kicked off with the gala premiere of Score: A Hockey Musical. We were there to catch shots of the diverse guest list: Olivia Newton-John, Nelly Furtado, Hawksley Workman and many more.

See our gallery below.

The Hype

TIFF Talk

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Greased lightly: fries are the ones Olivia Newton-John wants at Brassaii

Olivia Newton-John and her husband, John Easterling, depart from Brassaii's pre-screening cocktail party for Score: A Hockey Musical on September 8, 2010 (Image: Proya Productions)

Words cannot express how relieved we were to see nary a hint of hockey hair at Brassaii’s party for Score: A Hockey Musical last night. Olivia Newton-John, accompanied by her business mogul husband, John Easterling, mingled with her co-stars Noah Reid and Allie MacDonald for a few hours at the King West restaurant. TIFF co-director Cameron Bailey—already becoming the most ubiquitous presence at TIFF—attended in a show of support for the unlikely opening night gala, which screens tonight.  

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What’s the world saying about TIFF? A roundup of reading from near and far

Local media types are gleefully running around the city today, shouting the greatness of the Toronto International Film Festival from the rooftops—well, rooftop patios. But it’s not just the local media that has its eyes trained on Hogtown. Journalists from around the world—particularly from Britain, a country with a number of flicks at TIFF—are watching the festival, judging it and giving their recommendations. Here, a short roundup of interesting TIFF-related reading from near and far.

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The Hype

TIFF Talk

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TIFF Web site down for many determined ticket purchasers

Many eager cinephiles spent this morning yelling at their computers when they attempted to purchase tickets for TIFF screenings and found that the festival’s Web site was down. The single tickets went on sale this morning, which led to heavy traffic and the spotty availability of tiff.net throughout the day. @TIFF_NET tweeted at approximately 7:30 a.m., “We hear your concerns. The technical team is working hard to fix ASAP. Customer volume is significant at the moment. Thx for your patience” and then, an hour later, TIFF co-director Cameron Bailey tweeted, “Our team is working hard on it. Major demand.” According to another tweeter, @fyang, hammering the refresh button will make orders go through, but the TIFF interactive team is still working on fixing the problem. Calls to the festival’s head office were not returned.

UPDATE at 2:12 p.m.: The TIFF Web site is still down for many visitors, but Vice-President of Communications Jennifer Bell tells us that internal and external personnel to TIFF are currently working as fast as they can to get the site working again. “It is an overwhelming demand today compared to last year,” Bell says, adding that 10,000 users logged into the site simultaneously at 7 a.m. this morning. “That is unprecedented for us.” Let’s hope this phenomenon is a harbinger of a successful TIFF packed with excited cinefiles, and not a harbinger of massive lines and frustrated audiences.

The Hype

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TIFF folk heave sigh of relief after confirming Scotiabank Theatre doesn’t have bedbugs

Earlier today, we reported that TIFF co-director Cameron Bailey and Cineplex Odeon were scrambling to do damage control after a theatre-goer tweeted about a friend being bitten by bedbugs at the Scotiabank Theatre. Turns out the whole thing was bunk. TIFF and Cineplex got in front of the story so quickly, we in the media got whiplash: “Late yesterday afternoon, Cineplex contracted the services of Abell Pest Control Inc., (Abell), who are experts in their field, to investigate a claim,” Cineplex spokesperson Pat Marshall told the Toronto Star. “After a thorough investigation overnight, which involved a specially trained sniffing dog and a secondary visual inspection, Abell has confirmed that there were no bedbugs located within the Scotiabank Theatre.”

Inspection finds no bedbugs in theatre, Cineplex says [Toronto Star]
No bedbugs in TIFF theatre, Cineplex confirms [Globe and Mail]

The Hype

TIFF Talk

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Bedbug scare at the Scotiabank Theatre sets off pre-TIFF firestorm

Mothra jokes inevitable as rumours swirl of a bedbug infestation at the Scotiabank theatre (Image: Steve Harris)

Forget Oscar buzz. Rumours have it that TIFF theatres are featuring something so creepy, they’ll keep you up at night: bedbugs. TIFF co-director Cameron Bailey took to Twitter on Monday afternoon to calm the swelling panic after a moviegoer at Cineplex’s Richmond Street Scotiabank Theatre, identified as a 38-year-old anonymous female by the Toronto Star, complained of finding bites four hours after seeing a movie.

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The Hype

TIFF Talk

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Quoted: the latest TIFF talk

We’ll update Quoted regularly before and during the festival. Check back often.

“Taking the Toronto Transit Commission’s whisper-quiet subways from one film festival screening to another earlier this week, a Chicagoan couldn’t help but notice that the sound levels are a major shock to the El-conditioned system. The civility is relentless in Toronto. The taxi drivers, whatever their ethnicity or whatever sort of day they’ve had, display a startling lack of aggression behind the wheel.”—critic Michael Phillips [Chicago Tribune]


“King and Queen Streets in Toronto are all by themselves reasons for the city to exist.”—Roger Ebert [Twitter]


“Do I look like Jake Gyllenhaal? If you want, I could tell you his workout regime. I had to hear about it for half an hour—half an hour I’ll never get back.”—Jay Baruchel [CBC]


“Toronto is America’s most important film festival, even though it takes place in Canada.”—Adam Dawtrey [Guardian]


“This city just gets more beautiful all the time.”—Uma Thurman [CTV]


“The reason I’m wearing this jacket is because I’m sweaty and I can’t take it off.”—Nicole Kidman at the Rabbit Hole press conference [Toronto Sun]


“Why would any kid want to come and see thousands cheer their parents? They’d rather see thousands boo their parents!”—Bruce Springsteen on the absence of his kids at his shows [Toronto Star]


“Everybody loves Jon [Hamm]. I was so attracted to him. I had to work with him because he’s so handsome.”—Ben Affleck [Toronto Star]


“TIFF’s wonderful new Bell Lightbox is one swell place to see a movie.”—Roger Ebert [Twitter]


“Each time we told Natalie [Portman] we had to push another three weeks, she’d say, ‘Another three weeks of eating carrot sticks and almonds? I am going to kill you.’”—Darren Aronofsky on filming Black Swan [Globe and Mail]


“The Toronto audience is the festival’s charm. It is smart, open-minded and eager to find the best in films that are seldom perfect but almost always have something to say.”—Michael Cieply [New York Times]


“It’s fucking great.”—Darren Aronofsky on Black Swan [Twitter]


“[Passion Play] is a movie that says, ‘You know what? I have the money to hire Mickey Rourke to play a washed-up saxophonist and Bill Murray to be a New Mexico gangster. I have the cash to have them fight over Megan Fox, who I’ll make an angel—not one of those Victoria’s Secret angels, but, like, one at a carnival freak show. What I don’t have the budget for are effects that make the wings seem real. I know they look like cartoons, but who cares?’”—critic Wesley Morris [Boston Globe]


“I’m a director. You have to do what I say.”—Paul Haggis at the Artists for Peace and Justice Party [The Hype]


“You just made me cry. You are like the Barbara Walters of ET Canada!”—Megan Fox to Rick Campanelli [National Post]


Barney’s Version film very touching, great performances, shed tears…”—Margaret Atwood [Twitter]


“He looks so good. How old is he?”—a guest at the George Christy luncheon about Anthony Hopkins [The Hype]


“SUPER premiere was a fucking BLAST! I love you, Toronto.”—Rainn Wilson [Twitter]


“This party is so boring.”—guest at the Vanity Fair bash at The Thompson


“Canadians love piercings.”—Rainn Wilson [Twitter]


“We should go to a hip-hop club.”—Steve Nash at the CBC Hazelton Takeover party [The Hype]


“Sure, the glitz of Venice and the reclusive allure of Telluride set the stage, but Toronto is where the art-house armada gathers its fleet to prepare for the invasion of Yankee shores.”—John Lopez [Vanity Fair]


“I have celebrated my birthday here in Toronto for the last 10 years.”—Colin Firth [Hollywood Reporter]


“What do you do when Ben Affleck is in the urinal behind you? Wait and pee I guess? At least he didn’t have security in there.”—critic Mohit Rajhans [Twitter]


“We shouldn’t be making 250 feature films in this country. I don’t think it can sustain. Where are those films going? I mean, are they just home movie productions done on credit cards?”—TIFF co-director Piers Handling [Toronto Star]


“I still send out scripts and get back the response ‘too Canadian,’ though I’m not exactly sure what that means.”—Canadian producer Christine Haebler [Globe and Mail]

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