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All stories relating to Amanda Seyfried

The Hype

From the Print Edition

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Buff Like Harley: How an unassuming kid from North York got his number on every speed dial in Hollywood

Lady Gaga, Halle Berry, Kanye West and Robert Downey Jr. would all be as flabby as the rest of us if it weren’t for celebrity trainer Harley Pasternak. How an unassuming kid from North York got his number on every speed dial in Hollywood

Harley Pasternak is desperately seeking a sleeveless T-shirt. The fitness guru has arrived without one at a photo shoot in the Distillery District. The shoot is for a campaign to promote his burgeoning product line on the Shopping Channel. One minion is sent to phone American Apparel and track down this much needed garment. In the meantime, Harley considers other wardrobe options. For casual, man-on-the-street shots, he selects a baby blue polo and jeans—baby blue, he’s advised by an assistant, will highlight his tan. A makeup artist applies foundation and some eyeliner; a photographer assesses lighting options. Bagels and beverages sit untouched while Pasternak noshes on the whole-grain muffin he brought with him. And then he’s on. Pasternak vamps under the bright lights like a bald Gisele Bündchen.

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The Hype

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Chloe: the drinking game

Viewers expecting one of Atom Egoyan’s signature what-exactly-is-going-on-here? art-house flicks may be slightly disappointed with his latest offering, Chloe. But anyone who loves a good old-fashioned thriller—it’s Fatal Attraction meets Hand That Rocks the Cradle—is in for a treat. What Chloe is not: subtle. What it is: sophisticated porn, complete with amazingly hot actors, gorgeous clothing and girl-on-girl sex scene. Even the house felt slightly centrefold-esque. And what goes better with porn than a little hooch? Not that we’re endorsing the taking of booze into a movie theatre, but let’s just say this game works a lot better with vodka than it does with Dr. Pepper. Below, our 100 per cent original Chloe drinking game.

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The Hype

Cinemania

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Critics on Chloe: term “Toronto gynecologist” is “somewhat amusing”

Amanda Seyfried and Julianne Moore in Chloe (Image: E1 Entertainment)

It’s opening day for Atom Egoyan’s saucy Toronto-based drama, Chloe, which means the reviews are out. Surprise, surprise—the Canadian critics gave it top marks (is there a three-star minimum for homegrown films?). But reaction down south hasn’t been so favourable; the New York Times, in particular, had choice words: “There are grown-up moviegoers who will appreciate Chloe… There are also teenage boys who get a hold of Playboy for the articles.”

Ouch. But, at least the Times could get past the Toronto setting, a problem for many American critics. From the New York Observer:

Julianne Moore stars as Catherine, a Toronto gynecologist (why this is a somewhat amusing turn of phrase, I cannot explain).

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The Hype

Cinemania

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Atom Egoyan set Chloe here because “Toronto is a prostitute”

Amanda Seyfried at the Chloe premiere during TIFF (Image: Karon Liu)

For Torontonians, watching Hollywood stars Julianne Moore, Amanda Seyfried and Liam Neeson romp around their city in Chloe will be part—a large part—of the fun. The original screenplay was set in San Francisco, but director Atom Egoyan was keen on filming and setting the movie in Toronto. Chloe, the story of a wife who hires a prostitute to test her husband’s faithfulness, opens on Friday.

“At the level of metaphor, it’s interesting because Toronto is a prostitute. As a city, very often it pretends to be New York or Chicago or San Francisco,” Egoyan told the L.A. Times. “So it’s interesting that since this is a film about that, in fact the city becomes a character.”

Don’t take it personally, Toronto—we still think you’re a classy gal. Shall we leave our ticket money here on the nightstand?

Chloe creates an odd triangle on and off-screen [Los Angeles Times]

The Hype

From the Print Edition

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Q&A: Atom Egoyan on the making of Chloe

(Image: Dominique Charriau)

Atom Egoyan’s latest film, Chloe, turns Toronto into a dark and sexy city. A suspicious wife (Julianne Moore), a cad of a husband (Liam Neeson) and a sultry call girl (Amanda Seyfried) form the psychologically complex triangle at the centre of Egoyan’s latest film. Stacked with stars and moody shots of Toronto, it’s requisite viewing for the city’s cinephiles. Here, the director talks about the making of his racy new thriller.

Critics have called Chloe a love letter to Toronto. Why was it important to set the movie here?
The script was originally set in San Francisco, but I wanted to make Chloe as personal as possible, so I set it in a place I know really well. The city brands the film.

The house in the film is visually striking, almost like a character itself. Where is it?
Funny you should ask. I first saw it in Toronto Life and then tracked it down. It’s near St. Clair and Bathurst. It’s a very modern, signature Toronto style, with all the wood and glass. Thematically, I liked that the huge windows made it transparent.

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The Goods Toronto International Film Festival 2009

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PHOTO GALLERY: 31 TIFF red carpet looks

Jennifer Garner on the red carpet for the premiere of The Invention of Lying at the Visa Screening Room during the 2009 Toronto International Film Festival.Jennifer Garner and Julianne Moore opted for green and strapless, Amanda Seyfried chose sequins and Louboutins, and Drew Barrymore and Demi Moore did yellow in two very different ways. See the red carpet outfits these stars (and 26 others) chose for their TIFF galas in the slide show below.

Toronto International Film Festival 2009

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Lessons learned while photographing celebrities

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One of our favourite shots from the festival (Photo by Karon Liu)

We consider ourselves to be experts in taking red carpet photos, having attended quite a few of the galas and special presentations since TIFF began. With every premiere, we learned something new in mastering the art of getting the perfect shot.

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Toronto International Film Festival 2009

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RED CARPET INTERVIEW: We chat up Julianne Moore, Amanda Seyfried and Atom Egoyan at the Chloe premiere

Toronto International Film Festival 2009

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PHOTO GALLERY: Chloe premiere with Amanda Seyfried, Julianne Moore, Atom Egoyan and Jason Reitman

Amanda Seyfried at the premiere of Chloe. (Photo by Karon Liu)Full disclosure: we arrived at Roy Thomson Hall yesterday around 4 p.m. to secure a spot behind the barricades for the Precious premiere that night and completely forgot about the gala for Atom Egoyan’s Chloe earlier in the evening.

However, things worked out for the best as we had the best view to catch a glimpse of stars Julianne Moore and Amanda Seyfried (Liam Neeson pulled out of TIFF after the death of his wife) as well as Egoyan and Jason Reitman (his dad Ivan also made an appearance). Mayor David Miller, apparently suffering from a George Hamilton-level faux tan, walked to the red carpet instead of arriving in a car, but his thunder was quickly stolen when Seyfried arrived seconds later.

We’d like to thank Oprah for this bountiful gift.

Toronto International Film Festival 2009

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Why it’s easy (and a bad idea) to hate Megan Fox

Media darling: Megan Fox gives good presser

Don't hate her ’cause she’s beautiful: Megan Fox gives good presser

We didn’t want to like her: she dresses tackily, probably can’t act and brazenly embraces ubiquity. Her hotness seems engineered by Germans. She has not a single humanizing physical flaw. Worse, she’s unapologetic. But in press conferences, red carpet moments and reports from trusty sources—i.e., non-gossip writers—Megan Fox is bloody brilliant. Her interviews are brash, funny and on-point. When she says the wrong thing, it’s on purpose. She’s generous that way, making it easy to hate her.

Rumours had it that she stayed out all night on King Street after the Midnight Madness premiere of Jennifer’s Body—but if that’s true, all the more kudos are due. The Fox showed at her morning-after press conference like it was brunch with the in-laws: dressed in demure ruffles, smiling warmly, sipping Lipton’s. Pure contrivance? Probably. But we’ll never say she’s dumb.

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Toronto International Film Festival 2009

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RED CARPET INTERVIEW: We talk to Megan Fox, Amanda Seyfried and Diablo Cody at the Jennifer’s Body premiere

Toronto International Film Festival 2009

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PHOTO GALLERY: Jennifer’s Body premiere at Ryerson Theatre with Megan Fox, Amanda Seyfried and Diablo Cody

Megan Fox on the red carpet for the premiere of Jennifer's Body at Ryerson Theatre, during the Toronto International Film Festival on Thursday September 10, 2009 (Photo by James Helmer)TIFF‘s Midnight Madness program launched last night in full sexy style, with Megan Fox, Amanda Seyfried and Diablo Cody all walking the red carpet. Their film, Jennifer’s Body, promises schlock, horror and comedy. Check out the photos below.

Toronto International Film Festival 2009

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Celeb spotting warm-up 5: The full list of celeb guests is out, and Oprah and Clooney are on it

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He's a-coming (Photo by Attit Patel)

The much-anticipated official list of celebrities scheduled to attend TIFF arrived in our in-boxes this morning. We’re happy to report that two of the biggest names rumoured to be heading our way, George Clooney and Oprah, are definitely coming.

A lot of our other favourites have also confirmed: Big Love’s Amanda Seyfried, a reformed David Duchovny, Demi Moore, Drew Barrymore (perhaps we’ll spot her making eyes at locals at Sweaty Betty’s again), two of our three favourite Jennifers (Garner and Connelly; Aniston is a no-show), many Michaels (Caine, Cera, Douglas, Moore), the always lovely Natalie Portman, Nicolas Cage, Penélope Cruz, Ricky Gervais, Sarah Polley, Tilda Swinton, Tom Ford, Viggo Mortensen and so many more.

See the full list of guests after the jump.

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Toronto International Film Festival 2009

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CanCon at TIFF: Atom Egoyan’s latest and Heath Ledger’s final film among newly announced titles

Even though it’s just a press conference, the announcement of TIFF’s Canadian lineup is considered to be the unofficial pre-gala kickoff for locals. Homegrown filmmakers, actors and distributors packed into the Royal York’s Imperial Room yesterday to pose for the camera and decimate the open bar and buffet table in a manner befitting this country’s underfunded film industry. Since a British film—Creationwas chosen for opening night, a Canadian project was widely expected to close the festival. Organizers didn’t disappoint. The honour went to The Young Victoria, a look at titular queen’s early years on the throne directed by C.R.A.Z.Y. filmmaker Jean-Marc Vallée. Other notable announcements included:

Atom Egoyan’s Chloe, about a wife (Julianne Moore) who hires a PYT (Amanda Seyfried) to catch her husband (Liam Neeson) in the act of cheating;
Reginald Harkema’s follow-up to Monkey WarfareLeslie, My Name Is Evilwill have its world premiere;
Terry Gilliam’s The Imaginarium of Doctor Parnassus, the tale of a travelling theatre show staring Johnny Depp, Jude Law and Heath Ledger in his last role. A Canada-U.K. co-production, this one just squeaked into the CanCon category.

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