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Union rising

Things are looking up here at Union. It’s a good thing, too, because I don’t think they could have gotten any worse. But a good team is taking shape to finish the place. Two young guys are doing the rest of the plumbing, and a high-energy, two-man contracting team will finish the drywalling and all the rest. They are the types of guys who make their lunch the night before so they can plow through the day. My cousin Willy referred me to them. They came from a good source, they have experience in restaurants, and they happened to have time between jobs. I also have a master electrician working at the place, a funny French dude who K.K. introduced to me as “the best.” He has a ton of experience and is fair. And to top it off, the windows are finally coming in—energy efficient and all that—so things should get a bit warmer and brighter at Union soon. So just maybe I can stop climbing walls and pacing and generally causing more harm than good. Anxiety blows. It clogs your head, makes you restless and wakes you up in the middle of the night for no reason. So with fingers crossed and an eye on the finish line, I am going to get back to cooking and focusing on getting things in place for opening night.

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It was Foodstock!

I was at the very first Canadian Chefs’ Congress last month. Its creator, Michael Stadtländer, is a chef, farmer, artist and dreamer; when he gets a yearning, he acts on it and creates. So when he wanted to know what chefs were cooking along the coasts and in the mountains and prairies, he found out by inviting them to his farm and calling it a congress. But it was bigger and more significant than that. It was not just about food and cooking. It was about protection and awareness; it was about how chefs must now be creative and aggressive about keeping things local, organic and sustainable; it was about protecting small farms and artisanal producers; and it was about taking a stand against cooking with harmful genetically modified ingredients. It was art.

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Two turkeys, Hank Williams and getting back to the way things should be

I’ve been feeling a little bit stressed and stung lately—full of panic and sharp pains in my stomach—but I had some relief at the farm over Thanksgiving. My brother and I decided to give ourselves a little gut check and kill our own turkeys. I guess we were looking to reconnect with the way things used to be, for a chance to do what our grandmothers used to do. We headed over to the Chicken Lady’s place, JoAnn’s farm, to pick up two birds. When you walk around her farm, an army of turkeys, chickens, ducks and geese follows you around. It can get a little uncomfortable if you’ve got the fear. She raises heritage birds of all types, trying to strengthen their gene pools and get away from the mass-produced broiler birds that, for fattening purposes, have had all their survival skills bred out of them—to the extent that if you don’t control their feed, they will eat until their hearts cease to function. My brother and I picked a couple of turkeys. As the Chicken Lady put them in feed bags with holes cut out for their heads, she said to them, “This will be the only bad day you two are going to have.”

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Do the hustle: How opening a restaurant is like finding a camel festival

The reason this whole thing is dragging on and leaving me to the wolves is because it is tough to find good tradesmen these days. To avoid ending up with half a restaurant and no money to finish, I have had to make changes to my initial plan. I would have to take a job on a cruise boat for a few years, otherwise. It’s tough right now. No other way to put it. We just need one big run of good luck and we’ll be done. That ain’t easy. I have heard that many workers don’t want to do restaurants because they have been screwed over too many times. So I guess it goes both ways. It is a nasty world out there, and I walked right into it, full of trust and hopefulness. When Union does open, I know exactly what I am going to do in it. I just assumed that other people would not try to get involved if they didn’t know what they were doing, as well. I was wrong about that. I’ve been getting picked apart since I started.

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Ed, the plumber

The best part about this whole awful process has been the people I meet on site—salt of the earth types, like Ed the plumber. He’s from Newfoundland and is a real rock-and-roller (well, kind of like a caged bear in sweatpants, with long flowing locks and a trucker cap on backwards). He’s a great guy and a hell of a plumber. He’s got a thing about straight pipes; he just cares. When I asked him if getting a sink in some spot was possible, he said, “Oh yeah, anything’s possible. There ain’t no money in fucking around.” Or, when he got in the crawl space to lay some pipes, he said, “Ah, I hope there aren’t any Christians above me because I’m going to be cursing something awful down here.”

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State of the Union II

Things are looking up at Union—well, at least some days they are. The lighting guy, Josh, came over recently to talk about the fixtures he’s making for the place and the way they’re going to react when the fans and saws and hammers aren’t vibrating in the background. We went out back to the patio, where the sun cuts through the big swaying branches above us, and we talked about the design for the barbecue he is going to build. Everything seemed very optimistic. But then there are days when I walk in and three guys are looking at me with concern and frustration because the tenant who lives in the building has no hot water because her taps are screwed up, and we’ve got to take the hit. And then E.T., the hood guy, arrives like a storm of anxiety, all exasperated because the price of steel is going up, up, up and we need to buy, buy, buy. We fill another bin of rubble and dirt only to walk to the other side of it and see that the bin has a sign on it that reads “No rubble or dirt.”

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Something I learned in Alba

Near Alba, where I lived for a while, there are a number of small family-run restaurants—side-of-the-road stuff—up in the little towns that dot the hillsides. I wish I could have worked in some of these joints, but the season was ending when I arrived in Piedmont, and there wasn’t much work. Besides, they’ve got a different way of doing things there: you can’t convince them to take you in to help because they are never really stressed enough to need it. They may serve a table of six one night and 18 another night and it doesn’t matter one bit. Some places don’t even have menus because you already know what you’re going to get.

A typical meal might start with dried sausages from places like Bra, followed by veal tartare with olive oil and lemon. Next would come the fondue (cheese sauce made with fontina cheese you relax in milk for an hour and then slowly heat), served around a pastry stuffed with butternut squash, and an angel hair pasta made with 30 eggs, or mini-ravioli with sage and butter. Next up, roasted rabbit or braised beef in barolo or a peasant-style chicken. For dessert, brunet: baked bittersweet cocoa mousse cooked in a terrine in a bain-marie with amaretto.

Once, I walked into a place just outside Turin, and it was full of Italian truckers and families. They had big bowls of pasta in front of them, along with platters of cheese cut in big hunks. The windows were all steamed up, and there were paintings all over the walls, hanging on any nail that happened to be there. It was the epitome of a tough, rustic restaurant: no pretension, just good, clean food utilizing artisanal ingredients produced nearby. Cheese comes with a dark, oaky honey and a rustic chutney called cogna (a bittersweet mix of pears and grape skins).

Since work was scarce, the hotel where I was staying let me work for my board by planting trees and herbs, chainsawing, and painting hotel rooms. I’d also go off on research trips, eating lunch and dinner at all the little places. I soaked up as much as I could. The boss let me cook for the guests on Monday and Tuesday, so I’d hit the market in town and buy stuff I’d never seen before—like big, stalky bittersweet greens—from hunched-over old ladies. Come December, the market dwindles to a few old guys selling potatoes and nuts and some root vegetables. They leave the stuff in the ground through the frost to sweeten it up. The kitchen only had a four-burner electric stove, an oven and a few pots and pans, so I had to keep it simple. It made me break everything down (a relief, really; I had been cooking complex meals in Paris just before). I had to crack it open and put it back together again.

It was like starting again. The guy I was working for had had a restaurant in Turin that used no oil, butter or cream. He also had a grouchy side and frowned at any hint of fat. To him, using fat was a cop-out that meant a lack of understanding. It forced me to reintroduce myself to cooking. It was a tough hill to climb. Cooking pasta is easy in France: you just add cream. To an Italian, it is a whole new league; to get it right is an art. Pasta has a moment to it, and if you miss it, it ain’t right.

Case in point: one time, I saw a guy picking vegetables at the side of the road, so I started grabbing the same stuff (wild asparagus and thin green onions). I took it back and made a pasta with just that and some olive oil, chili and a bit of cheese. One of the girls came back to the hotel, so I made her some, too, and she liked it. That is, until I told her I had found everything at the side of the road. Those Italians can be a picky bunch.

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Chicken, splake, stools and Wilford—bringing the farm inspiration to Toronto

I spent the weekend at the farm, smoking chickens for an upcoming dinner—I dry cure them first and smoke them for a day and then barbecue them. They come out looking like Peking chicken, country style. Those smoky, sweet birds are going to be a staple at Union, along with elk tempura sliders, mirin-glazed sardines and some classics, like steak frites and maybe even red veal tartare (something I picked up in Piedmont). But we will see how that goes over. I am also talking to a few bread makers, trying to figure out how to make my own yeast from the apples at the farm; specifically, I want to make a sourdough starter, so that Union can have its own unique bread that gets better and better as the restaurant grows.

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The 15th has come and gone, and we’re still not open

I was walking by a friend’s place yesterday and she asked me if I was “getting close.” I stopped to think about it for a brief moment, as though maybe we were getting close, but then reality came back and whacked me on the head. All that came out was “no.” This restaurant opening is not easy; the hardest thing about it is that I have to rely on other people to get things done, yet if anything goes wrong, it’s my problem to fix because everybody has you by the noisettes, and they know it. This is my first attempt, and I have already made a handful of mistakes that are biting back.

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The legend of slow food

The area around Alba, Italy, is where the concept of slow food originated. The legend goes that three charismatic guys from Bra (just south of Turin, in Piedmont) were invited for an important lunch at a beautiful hall in a small town. On the way to their destination, they were really excited about the great food and posh surroundings that awaited them. It turned out to be the worst lunch they had ever eaten. A huge buffet for 530 guests, the lunch was composed of classic dishes, all poorly cooked and all abused for the sake of numbers. This lack of care and disrespect for the food seeded in them the idea that every Italian has the right to eat—and be able to afford—food that is cooked the way it should be.

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When the hood of a stove gives you hope

Today, at the restaurant, I met the guy who sells stove hoods. He said, “Just call me E.T.” There is a small hood at Union now, but I need a bigger one with a better motor. I showed him the plan I had for the kitchen and braced myself for the worst, but in the end he was a welcome change from the doubters and the heavy breathers I was meeting before. He’s a can-do guy, and I left feeling a whole lot better.

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On cooking local

Trying to cook local isn’t always easy. You have to work with what you have in front of you. And when you’re challenged, that is often when the really worthwhile culinary moments are found. When Union really gets going, I am hoping to find the inspiration that will lead to that kind of gut-instinct cooking—the kind that saves your ass when you are beaten down and you don’t think you can pull it off, but then something kicks in and you do.

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Go to Pastis: Drawing inspiration from a Toronto dining fixture

When I first came back to Toronto, I met a fridge mechanic—“a good guy to know, and the best in the city,” testified my friend Johan of Goed Eten in Kensington Market. The mechanic looked at me with pity, the way everyone does when they find out I am opening a restaurant, but he also gave me some advice: “Go to Pastis.” Then, in the span of a few days, my dad and a good friend both said the same thing: “Go to Pastis.” So I went. And they were right. The place is the real deal.

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Toronto’s restaurant business: The good, the bad and the ugly

I met the nasty edge of the restaurant business the other day. I was at an auction where they sell off all the leftover crap from restaurants, cafés and bars that go out of business. It is a depressing place, selling broken dreams and busted equipment—vultures picking at the last bits of restaurant failures. They sell everything from big Second Cup signs to giant Hobart mixers to espresso machines to refrigerators to stoves to the item the auctioneer described as “a real beauty—a complete mop-and-bucket set!” I was introduced to the auction’s owner, a big Floridian-looking dude who shook my hand and smirked, telling me that my hairs are going to turn grey soon and how he was looking forward to seeing my restaurant turn me into an old man. Then he walked away. This is the dark side of the business, which turns young, happy men into old and bitter men, and sends new chefs off into the night on drunken binges. There was a chef in full outfit there, running around with a bull-like demeanour, as though he was going to run over anybody who got in his way. It doesn’t have to be that way.

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Digging in the dirt (or, The plumbers, the permits and getting in too deep)

The building that will house Union was built in 1892. This creates all kinds of problems—and certainly explains the dirt floors in the basement—but I am still in love with the space. It just has a good feeling about it. At least I keep telling myself that it does, because I am in so damn deep now.

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