The place: Luma at the TIFF Bell Lightbox. The people: musical theatre legend Colm Wilkinson and actor-turned-singer Deborah Hay. The subject: melodic storytelling
Torontonians love blockbuster musicals. We flocked to Phantom of the Opera for a decade and sang along to Mamma Mia! for five years, and Colm Wilkinson has made his career on our zeal. The prodigally piped Irishman moved here in 1989 to star in Toronto’s first production of Phantom after spending two years doing Les Misérables in NYC and London. His latest concert, Broadway and Beyond, features a band and two singers accompanying Wilkinson as he sings classics from both shows, along with some of his personal favourites (John Denver, Johnny Cash, John Lennon and of course the Irish anthem “Danny Boy”). Deborah Hay made her name in Shaw Festival productions like The Women and Born Yesterday and is now adding musical theatre to her repertoire, taking on Eliza Doolittle in My Fair Lady. We got them together for seared tuna salads and a little shop talk.











Woody Harrelson likes us. He really, really likes us. The American actor and enviro poster boy has been in Toronto since February, rehearsing his loosely autobiographical comedy, Bullet for Adolf. The play is set in the summer of 1983—during which Harrelson worked construction in Houston alongside his pal (and co-writer) Frankie Hyman—and covers everything from race relations to dissolving friendships. This new show is the latest chapter in the Woody-hearts-Hogtown saga that began more than 20 years ago when the actor, newly famous for playing a lovably dim bartender on Cheers, hung out with Ted Danson on the Toronto set of Three Men and a Baby. Since then, he has returned regularly for film and theatre projects, awards ceremonies and the mother of all yoga sessions. We met with him over milk thistle smoothies at his top nosh spot, Live, to reminisce about his best Toronto moments.
We learned recently that the Real Housewives franchise is 











